The
late Pandit Taranath Rama Rao
Pandit Taranath learned from many great tablaplayers but considered Ustad Samshuddin Khan (gurubhai of Thirkwa) his main guru. Panditji was a very great teacher and here you can
hear him recite a tabla composition (0:46) while playing the lehra on harmonium. It is then played by his students
Sadanand Naimpally and Mohan Balvalli. From a concert at Trinity Club in Bombay
1968.
Thru the net I've gotten in contact with some of Taranathji's
american students: percussionist Adam Rudolph, flutist David Philipson, who has a very fine page about
Taranathji and Jef Feldman; the latter has published a wonderful
book about him, The Tabla Legacy of Taranath Rao, with a biography and tabla lessons. There is also
one about Allah Rakha. Highly recommended. You can find out more
at his
Digitala Page.
There is
one short clip from 1985 at YouTube and a page about Panditji at Rao's Taranath Page.
Pandit Taranathji's nephew, Pandit Ravi Bellare has been living
and teaching in the Los Angeles area, but sadly he passed away on april 16th 2005. Here you can hear him
recite
and play the same composition that you heard Pandit Taranath recite
above. There is some problem with the lehra when he goes into
double speed, but it is anyway interesting to compare the different versions. He recites it very expressively at a slower speed and then playes it in two speeds.
This one is from a private concert in Chembur, Bombay 1968. Find
out more about Raviji at David's pages. Today, on Raviji's second death anniversary Rupesh Kotecha has started
The Ravi Bellare Arts Foundation and put up
a short clip with Ravibhai at YouTube
Gurubhai Sadanand Naimpally told me that the composition is the
Meghandbar Paran, "The Thunder Paran" by the legendary
Kudow Singh Maharaj. Here you can
hear Sadanand play it from a concert in Goa 2000. Maruti Kurdekar is playing the lehra. In the
feed-back page you will find a longer discussion about that composition as well as some anecdotes about Taranathji.
When my tabla guru went to the states to teach at CalArts I looked south and found my mridangam guru in Tirunelveli where I spent more than a year studying the mridangam.
The
late Mridangam Vidwan P.S.Devarajan
Hear him do some
Konnakol (4:38) spoken mridangam rhythms.
In 1968, while my friends were trying to get the revolution going in Sweden, my mridangam teacher and I went to the photographer's in Tirunelveli. This is how
mridangam lesson 1 (1:46) sounds when he does it. The four basic strokes Ta Di Tum Nam are recited and then played at multiple speeds.
Devarajan was often accompanying the charismatic Swamy Haridhos
durimg the time I was with him, so I was also going along for
yatras (pilgimages) and a lot of other religious functions, including
visits to his Guru Swamy Gnanananda in Tirukkoilur and other holy
places. He was a fantastic singer of bhajans and later constructed
a beautiful temple town in Thennangur, a work which is carried
on by his successor Swamy Namananda, Namaji.
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| Sopandev & P.S. Devarajan |
Swamy Gnanananda |
Swamy Haridhos
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Swamy Namananda |
Hear the opening of a full night of
classical bhajans, (8:09) with Swamy Haridhos,
recorded in Bombay on New Years Day 1968.